It begins the month after you subscribe with the next month's print issue of COLOR Magazine. You'll receive each month's issue on or near the 1st of each month. If you would like to purchase the current month's Print edition separately, you can do so here: www.magcloud.com/user/annmkullberg
Immediately! After subscribing, you'll immediately receive an email containing a link to the current month's Digital Download PDF. You can simply save this link and return each month on the 1st to download the new issue. We will also send you an email reminder on the 1st with the download link.
The link to your first issue should have been emailed to you automatically and also appears on the order confirmation page immediately after your order is placed. Delivery emails are sent to the same email address you used to pay for the subscription. If you don't see the email right away, check any filtered folders and add firstname.lastname@example.org to your contacts to ensure the emails make it to your inbox.
The magazine issues are hosted and delivered by SendOwl, a service for reoccurring subscriptions. We use SendOwl in order to keep your billing information secure. The login through annkullberg.com is for purchases made through our website directly and not related to your subscription.
PC desktop and laptop computers: It will either be saved automatically in your Downloads folder, or a prompt will appear asking you where you would like to save the file. Once the download is finished, you can navigation to the folder from your Windows Explorer.
MAC desktop and laptop computers: In recent versions of Mac OSX, the downloads folder can be found in the Dock. From the Finder, you can also find the downloads folder in Home.
Android phones and tablets: This can vary from device to device, so if these instructions don't help, try googling "How to download PDFs on __your device__". In most cases, though, when you click to download a PDF, it will ask you which App you would like to use to view the file. Once you select a PDF viewer app, it will save the PDF to your device. You can find your downloads by opening the "Files" or "My Files" app and navigating to the folder called "My Downloads."
iPhones/iPads: Make sure you have the free app iBooks installed, you can get it from the App Store. When you click on "download" the PDF will open on your screen. You then have to hold your finger on the document and wait for a menu to pop up. Select "open in iBooks" and the file will be saved into the iBooks app. Then, you can always open the iBooks app and find your downloaded files.
Another common issue is being unable to locate the file after you've downloaded it. Different devices store files in different places - see the question about titled "Where is my download" for more details.
If you are still having trouble, contact us and we'll try to help!
You can access the download link from any device that is connected to the internet.
When you are on the download screen, click on the file you want to download, and a Save As dialog box will pop up asking where you would like to save the file.
In some cases, if you have a default folder set for downloads, the download will start automatically, and can be retrieved by opening your Downloads folder.
Mobile Device like iPhone, iPad or Android:
Visit the download link in your web browser app. Tap once on the file you want to download, and choose which application you want to view the PDF in. Download should start automatically. If you have trouble, try searching on Google for "How do I save a PDF on my ____ device."
In the past, issues of COLOR Magazine had to be ordered directly from magcloud.com, the company that prints our magazine. You can still buy print issues directly from Magcloud, but digital editions are now sold only on annkullberg.com.
Ann uses Prismacolor Premier Colored Pencils. The majority of tutorials you find on this site will use Prismacolor Premier pencils. There are of course many other greats brands and so much comes down to personal preference, but this brand is standard across the field.
Almost exclusively, Ann use's white Stonehenge. It's inexpensive, clean, durable, and has just the right amount of tooth for her technique. Stonehenge is included in many of our Project Kits as well as in our Draw what you SEE Drawing Course.
I used to recommend the Panasonic sharpener, but they are no longer available. I currently recommend the Xacto School Pro. I don't like battery or hand-held sharpeners - almost all of them chew up the pencil, and they're too slow.
It's not your pencils...it's your sharpener!! My Prismacolor pencils virtually never break. If your pencils are breaking, switch to a new sharpener. Even a brand new sharpener can break your pencils if it's a lousy sharpener.
"Sticky stuff" is my term for reusable adhesive (link to Google Shopping results). There are nearly a dozen brands. You find it in a hanging bubble pack in the adhesive or school supply section of stores like OfficeMax. It's blue, yellow or white. Mounting putty will work too. It's much tackier than kneaded erasers, so it's perfect for lifting colored pencil pigment off of paper.
With a very sharp point, and extremely light pressure, I move the pencil point in a circular (sometimes elliptical) motion, slightly overlapping as I move along. This technique allows maximum control of the pencil, and creates the smoothest finish, but is oh, so slow. The advantage is that you can get extremely subtle blending of color. I use the "brillo pad" method for the face and hair on all my portraits.
you create an impressed line by using a thin instrument (like a stylus) to indent the paper surface. When you then cover the area with pencil, the impression (indentation) made with the sharp object will not fill and will show up as white. Use this technique for little wisps of hair around the face that are lit by sunlight, cat whiskers, and white hair in darker colored beards/mustaches.
Burnishing is a fancy word for using a great deal of pressure when bearing down with a colored pencil so that the paper tooth is no longer visible. When you burnish, you basically just smooth the paper surface.
After applying wax-based colored pencil to paper, wax can rise to the surface of your painting, creating a soft, hazy film, called wax bloom. You can especially see this in darker, burnished areas. The remedy? Lightly wipe across the surface of your drawing with a tissue, then spray with 2 light coats of a workable matte fixative, like Kyrlon.
Identify a hue by placing your Value Viewer over your photo reference, then asking yourself these four questions:
What primary or secondary color do you see? ( red? )
Where on the color wheel is it? is it a red on the warm side? (orangish) or the cool side (purplish)?
What is the intensity of the red? is it bright (high intensity - no gray) or dull (low intensity - lots of gray)?
What is the value? is it a light red (when compared to the white of the value viewer) or a dark red?
With the hue identified, you can choose colors that fit the answers to the above questions. Then, begin with the lightest value color you see, applying lightly. Add layers by value, starting with the lightest and gradually increasing to darker values.
If you are working on colored pencil portraits and need help finding the right colors, Ann has a Portrait Tool Set that includes a skin tone value viewer.
Building a light grayish-greenish blue like this might go like this:
Lots of instruction and lots of fun! Everyone will work on the same portrait, with a reference photo and line drawing provided. Ann does a great deal of demonstrating, so you'll follow along in a step-by-step fashion. Facial features, skin tones, hair, drawing sequence and color building will be emphasized. Want more info? Click here.
Unless otherwise noted, all deposits are non-refundable. Cancellations made 6 weeks before workshop will be refunded in full. If there is a waiting list and your spot fills, you'll be refunded in full no matter when you cancel. If your spot doesn't fill and you still can't make it, you are welcome to apply your deposit toward a future Ann Kullberg workshop.